Notice how this progression is based on the descending fifth intervals. The 8-bar is often used in ragtime, which you can see an example of below: ![]() The 8-bar progression is an alternative to the 12-bar version. In this example, some extra chords were added to the 12-bar structure and as a result we got a mix of blues and jazz. 12-bar jazz-bluesĪ more detailed presentation, including measures in the bars: The last time the structure is played in the song, it should end on an E chord. ![]() The novelties are only at the end: in the last two bars you should play five measures of the E7 chord and then change to B7 for the last three. See Appendix B for standard 12-bar minor blues in all keys. Also to be familiar with, when learning the 12-bar structure, is the turnaround as in the next example. Your browser does not support the audio element.įor improvising over this 12-bar blues, you can use the Em Pentatonic Blues Scale.Īs already said, there are endless ways to vary the twelve bars (it must not necessarily be 12 bars, the 16-bar blues structure is also popular). ![]() The 12 bar section are played two times with turnarounds in the last measure the first time.
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